Read more about the article The Practice and Principles of Shaking Long Pole  in Internal Martial Arts
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The Practice and Principles of Shaking Long Pole  in Internal Martial Arts

The practice of shaking the Long  pole (Dǒu Gǎn) in internal martial arts has its origins in ancient spear techniques. During the era of cold weapons, long spears were generally over eight feet long. In martial arts families, when teaching their disciples, they would first learn the techniques of the medium-sized and circular spears. In the north, white waxwood poles were used, while in the south, they used rattan poles. Only after achieving a certain level of skill were they allowed to use the big spear. Before the Ming Dynasty, the Sha Family Pole and Yang Family Big Spear were both very demanding in terms of skill. Often, when their spear skills were accomplished, they would also have developed the whole-body coordinated power, making it easier to practice techniques like hand strikes.

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Read more about the article How to Change Force in Internal Martial Arts ?
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How to Change Force in Internal Martial Arts ?

To transition from External Martial Arts to Internal Martial Arts, one needs to change the way force is utilized. As Huang Baijia said: "Zhang Sanfeng excelled in Shaolin and then transformed to Internal Martial Arts. This is known as Internal Martial Arts. If you grasp either of these, it is enough to surpass Shaolin." The phrase "transform to Internal Martial Arts" means converting the external muscular strength to internal power. However, even in different stages of training in Internal Martial Arts, there is still a need to change the way force is used.

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Read more about the article How is the force of a punch generated?
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How is the force of a punch generated?

There are various methods to obtain force in martial arts, but they can be summarized into three main types: static force, dynamic force, and a combination of both static and dynamic force. For example, Muay Thai and boxing belong to the dynamic force type, while Tai Chi, Xingyi Quan, and Baguazhang belong to the static force type and the combination of static and dynamic force. Of course, the distinction between dynamic and static force is not absolute; it simply refers to the emphasis on either dynamic or static aspects in the pursuit of force, resulting in distinct training styles and technical characteristics.

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Read more about the article Must learn Tai Chi readings
Tai Chi

Must learn Tai Chi readings

Part 1: "Inherent distinct method: At the beginning of life, one's eyes can see, ears can hear, nose can smell, mouth can taste; colors, sounds, fragrances, and tastes—all are natural perceptions, inherent goodness. The movements of hands and feet, the abilities of the four limbs—all are natural and inherent. When considering this, people become familiar without cause; human nature is close but also distant, lost and confused in the inherent. To restore our inherent, we must seek the root of movement through martial practice and the original source of perception through scholarly understanding. It is by moving that we perceive, and by perceiving that we feel. Without movement, there is no perception; without action, there is no sensation. When movement reaches its extreme, it becomes action; when perception is heightened, it becomes knowledge. The one who knows through action…

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Read more about the article Wang Yongquan’s Yang Style Tai Chi: Principles, Internal Skill & 13 Postures
Tai Chi

Wang Yongquan’s Yang Style Tai Chi: Principles, Internal Skill & 13 Postures

The fundamental characteristics of Yang-style Tai Chi Chuan are natural, gentle, and graceful, making the practitioner feel comfortable during the movements. When practicing Tai Chi, one should focus on demonstrating the features of relaxation, stability, slowness, and evenness. On this basis, gradually learn to use internal energy, achieving a state of relaxation, expansiveness, connectivity, and emptiness.

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Why Do Famous Masters Have Short Lives – Hong Jun Sheng ?

Quote from Jiang Jiajun's book "Dialogues with Tai Chi Masters." During the conversation, Brother He asked Master Hong, "Does practicing Tai Chi Chuan lead to longevity?" Master Hong looked at Brother He and said, "I know what you want to ask. You want to know why some Tai Chi Chuan predecessors and masters passed away early. What is the reason behind it?" Master Hong continued, "People who practice Tai Chi Chuan should have a long life; their achievements will be greater. 'No longevity' means they do not live to an old age. Master Chen Changxing lived to eighty-two, his disciple Yang Luchan lived to seventy-two, Master Chen Xin lived to eighty, and my teacher Master Chen Fake also lived to over seventy. They can all be considered relatively long-lived. If they had passed away in their forties or fifties,…

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Understand The Beauty of Eight Trigram Palm

The Beauty of Eight Trigram Palm 1. The Beauty of Eight Trigram Palm: Yin-Yang Harmony and Strength-Softness Aesthetics The so-called strength-softness aesthetics of Eight Trigram Palm refers to the inherent techniques and training postures in Eight Trigram Palm's routines that embody strong, majestic, and powerful movements, akin to the wind rushing through a valley or a hungry tiger emerging from the mountains. These expressions are characterized by robust power, dynamic movements like a dragon, and agile changes reminiscent of an eagle. On the other hand, the softness aesthetics in Eight Trigram Palm encompass graceful and ethereal techniques, where movements flow and dissolve like wisps of smoke or soft silken threads. Throughout the entire set of Eight Trigram Palm routines, the emphasis on the softness aesthetics is evident, showcased through movements that resemble mountains, flowing water, twisting, and circular maneuvers.…

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36/24 Song Secrets of  Eight Trigram Palm (Baguazhang)

Song One: Basic Posture of Baguazhang Chest hollow, top of the head lifted, waist relaxed and sinking, Twisting steps, bending knees, firmly grasping the ground. Shoulders sink, elbows drop, palms extend forward, Fix your gaze on the tiger's mouth. Song Two: Formation of the Basic Techniques of Baguazhang First the elbows, then the overlapped elbows cover the heart, Palms flip and collapse, advancing with the heel. Heel follows the front elbow, combining power, Front and back palms merge into one spirit. Song Three: Basic Footwork of Baguazhang Step with a bent knee, foot extends straight forward, Resembling the movement of grinding a millstone. Flex the knees, twist the hips, pivot on the foot, The leg remains steady from all three sides. Song Four: Balance of Left and Right Techniques in Baguazhang Single Whip is not exceptional, it's suitable to…

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